In Bali, the concept of désa kala patra (place-time-context) anchors the levels of meaning enacted in performances of tembang (vocal music), informs the construction of traditional dance and theater events, and underlies pedagogical methods.
The preservation of this ideological core is fundamental to Balinese identity as modern elements, such as electronic sound technology, are woven into the cultural fabric. The concept of taksu (spiritual energy) illuminates the religious underpinnings of Balinese artistic values.
This according to Voices in Bali: Energies and perceptions in vocal music and dance theater by Edward Herbst (Hanover: University Press of New England, 1997).
Above, Pura Besakih (Mother Temple of Besakih) is a stunning example of Balinese aesthetics; below, a taste of Balinese gamelan and dance.
More posts about Bali are here.
Reblogged this on Manajemen Seni Pertunjukan Institut Kesenian Jakarta; Performing Arts Management Studies at the Jakarta Institute for the Arts.
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