Tag Archives: Bird vocalization

Courtship dance step sounds of the blue-capped cordon-bleu

While vocalizations have been elucidated in various songbird studies, non-vocal sounds have received less attention. In the blue-capped cordon-bleu (Uraeginthus cyanocephalus), both sexes perform courtship displays that are accompanied by singing and distinct body movements (i.e., dance). A previous study revealed that cordon-bleu courtship bobbing includes multiple rapid steps. This behavior is quite similar to human tap dancing, because it can function simultaneously as a visual and acoustic signal.

In many cases, the acoustic signal value of such steps (along with the high-speed step movements) produce non-vocal sounds that have amplitudes similar to vocal sounds. In this sense, step behavior strongly affects step sound amplitude. Additionally, the dancing step sounds were substantially louder than feet movement sounds in a non-courtship context, and the amplitude range overlapped with that of song notes. These observations support the notion that, in addition to song, cordon-bleus produce acoustic signals with their feet.

Read more in “Songbird tap dancing produces non-vocal sounds” by Nao Ota, Manfred Gahr, and Masayo Soma (Bioacoustics: The international journal of animal sound and its recording 26.2 [2017], 161–168). Find it in RILM Abstracts of Music Literature.

Below is the step-dancing performed by male and female Uraeginthus cyanocephalus (blue-capped cordon-bleu) captured on a research video by the authors.

Related Bibliolore posts:

https://bibliolore.org/2018/05/21/angelic-bird-musicians/
https://bibliolore.org/2014/11/13/afghan-perceptions-of-birdsong/

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Filed under Animals, Curiosities, Dance, Nature, Science

Music research annual

 

Music research annual (ISSN 2563-7290) is the first peer-reviewed journal devoted to publishing review essays from the full range of academic disciplines that study music. Each article explores the current state of scholarship on a key topic within a discipline or interdisciplinary juncture and charts ways forward to new research.

Led by a group of renowned scholars, the journal seeks to forward academic inquiry into music and foster interdisciplinary dialog. MRA is an open-access journal published by the Research Centre for the Study of Music, Media, and Place at Memorial University of Newfoundland (Canada).

Below, the Australian magpie figures in an article in the inaugural issue.

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Filed under Musicology, New periodicals

Baroque birdsong

Along with its wide-ranging discussions of theoretical topics, the 1650 treatise Musurgia universalis by the German Jesuit polymath Athanasius Kircher (1602–1680) includes what may be the first transcriptions of bird songs.

The illustration gives the nightingale’s song followed by those of the chicken, the cuckoo, the quail, and the parrot; the latter says χαίρε (“hello”). Vox cuculi is notated as the familiar falling minor third heard in cuckoo clocks (see below).

A facsimile edition of the treatise has been issued by Georg Olms (Hildesheim, 1970; reprinted 2006).

Related article: Athanasias Kircher’s global reach

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Filed under Animals, Baroque era, Musicologists, Nature, Notation, Science, Visual art