The renowned Hindustani śahnāī player Bismillah Khan lived in Varanasi for all of his adult life, and never wanted to leave the city even for a day—for example, complicated negotiations were required to persuade him to travel to Eluru to receive a prestigious award.
An American patron once invited him to come and live in California, but he replied that he could not bring himself to leave his beloved house. When the patron offered to build him an identical house and create a similar neighborhood, Khan asked him whether he could also bring the Ganges River!
This according to “The legend that was Bismillah Khan” by Pappu Venugopala Rao (Sruti 264 [September 2006] pp. 20–21).
Today would have been Bismillah Khan’s 100th birthday! Below, a live performance; can anyone help us to date it?
Postage stamps are singular sources for music iconography. Since these images comprise officially sanctioned national and international recognition, they provide windows on what governments and constituencies in various cultures and at various times have deemed worthy of celebration.
For example, the South Indian magazine Sruti regularly features philatelic reports on stamps issued by the Indian Department of Posts; these include an impressive number of commemorations of composers and performers from India’s classical Karnatak and Hindustani traditions. The stamp pictured above was issued to honor the śahnāī player Bismillāh Khān (1915–2006) on 21 August 2008.
Below, the music of Ghanaian postal workers canceling stamps.
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