In 2022 Leuven University Press launched The book of Requiems, a chronologically arranged multivolume series that gathers essays—each written by a leading expert—on the most musically and historically important Requiems in Western music history, from the origins of the genre up to the present day. The series will provide an authoritative reference intended as a first port of call for musicologists, music theorists, and performers both professional and student.
Each essay is devoted to a specific Requiem, and offers historical information and a detailed but accessible work discussion. Volume I treats the Requiem’s liturgical and chant background, the craft of early Requiem composition, and eight of the earliest composed Requiems, from ca. 1450 to ca. 1550.
The publication comprises an introductory discussion complemented by scores and recordings of 22 songs, along with an exploration of the background of Renaissance musical settings of poems from Pierre de Ronsard’s Amours de Cassandre (1552).
Above, a portrait of Ronsard from ca. 1580; below, Guillaume Costeley’s setting of Mignonne allons voir si la rose, one of the most popular of Ronsard’s Amours among Renaissance composers.
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Launched in 2020 by Lever Press, Open access musicology is a book series that features peer-reviewed, scholarly essays primarily intended to serve students and teachers of music history, ethno/musicology, and music studies.
The constantly evolving collection ensures that recent research and scholarship inspires classroom practice, provides diverse and methodologically transparent models for student research, and introduces different modes of inquiry to inspire classroom discussion and varied assignments.
Addressing a range of histories, methods, voices, and sounds, OAM embraces changes and tensions in the field to help students understand music scholarship as the product of critical inquiry.
In 2019 Le Castor Astral launched A day in the life, a book series directed by Christophe Quillien. Each title evokes a key moment in the great rock saga; beyond the detailed narration of the facts, it traces the day’s consequences, sometimes unexpected, and its influence on rock in general.
The volume collects papers from the conference L’Émergence en Musique: Dialogue des Sciences, which was held in Plaisir and Versailles in 2016. This conference explored musical examples of how in certain complex systems radically new properties appear unexpectedly and are characteristic of a higher level of organization; these emergent properties are not found in any individual parts of the system, but occur as an effect of the system as a whole.
Below, a work by Horacio Vaggione, one of the composers who contributed to the book and conference.
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The main entrance to the New York Public Library for the Performing Arts’s exhibition Lou Reed: Caught between the twisted stars opens up on Lincoln Plaza, directly adjacent to the The Metropolitan Opera house. On a sunny day, the Met’s … Continue reading →
Seven strings/Сім струн (dedicated to Uncle Michael)* For thee, O Ukraine, O our mother unfortunate, bound, The first string I touch is for thee. The string will vibrate with a quiet yet deep solemn sound, The song from my heart … Continue reading →
Introduction: Dr. Philip Ewell, Associate Professor of Music at Hunter College and the Graduate Center of the City University of New York, posted a series of daily tweets during Black History Month (February 2021) providing information on some under-researched Black … Continue reading →
For it [the Walkman] permits the possibility…of imposing your soundscape on the surrounding aural environment and thereby domesticating the external world: for a moment, it can all be brought under the STOP/START, FAST FOWARD, PAUSE and REWIND buttons. –Iain Chambers, “The … Continue reading →