Tag Archives: RILM

RILM takes over Index to Printed Music

In May 2017 James Adrian Music Company (JAMC), owner of Index to Printed Music: Collections and Series (IPM), signed an agreement transferring ownership of IPM to Répertoire International de Littérature Musicale (RILM), effective 30 June 2018.

IPM combines index, bibliography, series, and names databases into a highly comprehensive resource for searching and identifying individual pieces of music printed in standard scholarly music editions. Currently the database includes 22,975 entries for individual volumes, an authority file with 25,889 personal names, 1133 entries for series and sets, and an index to 538,354 individual pieces of music. It provides superior access to this content for scholars, performers, teachers, and other researchers, including powerful searching capabilities for finding information on specific performing forces and repertoire. Many of the sets and series indexed in IPM are adding volumes continuously, and new editions appear on the market. Therefore, IPM grows every year to be as comprehensive and up-to-date as possible. IPM is curated by a team of experts and is available on EBSCOhost and via the EBSCO Discovery Service.

IPM is a natural addition to RILM’s suite of music resources. Since 2016 RILM has been expanding its resources for music researchers beyond its flagship publication, RILM Abstracts of Music Literature, adding RILM Abstracts with Full Text; RILM Music Encyclopedias; and, in partnership with Bärenreiter and J. B. Metzler, MGG Online. With the addition of IPM, RILM is entering the world of printed music. RILM’s authority lists—including names, work titles, publishers, and terms—as well as RILM’s proven database capabilities and subject expertise will contribute to the further development and enhancement of IPM.

The founder of the Index to Printed Music, Dr. George R. Hill, states: “We are pleased that with RILM’s acquisition of IPM, its continuation, properly supported by an established leader in providing databases related to music, is assured. Over the years, IPM has largely depended on a dedicated group of musicologists and librarians devoted to its survival and growth. They include Joseph M. Boonin, Garrett Bowles, Lenore Coral, Mary Wallace Davidson, Elizabeth A. Davis, Vincent Duckles, Paul Emmons, Robert A. Falck, Virginia S. Gifford, Irving Godt, Ruth B. Hilton, Barton Hudson, Richard E. Jones, Sterling Murray, Barbara A. Renton, John H. Roberts, Gordon S. Rowley, Norris L. Stephens, Susan T. Sommer, and Eric Western.”

Dr. Barbara Dobbs Mackenzie, the Director of RILM, adds, “IPM is an indispensable resource for anyone looking for scholarly, reliable editions of individual musical works. RILM is delighted to be able to take ownership of this resource, and to bring our experience to bear to ensure IPM’s reputation for accuracy and comprehensiveness, and to bring new digital capabilities to enhance the database and its search and discovery potential.”

James Adrian Music Company, Bergenfield, NJ, a non-profit entity, supports and guides the creation, development, and distribution of the several databases collectively known as IPM. Components of IPM include digital files for name authorities, series, bibliography of editions indexed, and, most centrally, the index to music contained in the various editions. By adhering to established standards for bibliographic scholarship, JAMC is committed to providing a reliable and useful tool for musicians and researchers throughout the world. A hallmark of IPM has been the accuracy of index data, gathered directly by an examination of the printed music itself, not from secondary sources.

Répertoire International de Littérature Musicale (RILM), New York, facilitates and disseminates music research worldwide. It is committed to the comprehensive and accurate representation of music scholarship in all countries and languages, and across all disciplinary and cultural boundaries. RILM’s flagship publication, RILM Abstracts of Music Literature, is a comprehensive international bibliography of writings on music covering publications from the early 19th century to the present. RILM Abstracts of Music Literature with Full Text includes the bibliography as well as full text articles from over 200 journals linked from the bibliographic records. RILM Music Encyclopedias is a full-text repository of over 40 seminal music encyclopedias. In partnership with the publisher Bärenreiter and J.B. Metzler, RILM publishes MGG Online, which comprises the 2nd edition of Die Musik in Geschichte und Gegenwart along with new and substantially updated content. RILM is a joint project of the International Association of Music Libraries, Archives, and Documentation Centres (IAML); International Council for Traditional Music (ICTM); and the International Musicological Society (IMS). RILM is housed at The Graduate Center of the City University of New York. For further information, please visit http://www.rilm.org.

 

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MGG Online

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The encyclopedia Die Musik in Geschichte und Gegenwart is now available as an online database.

 MGG Online, a digital encyclopedia containing the entire second edition of Die Musik in Geschichte und Gegenwart along with updated and new content, was launched on 1 November 2016 on a powerful platform with the most up-to-date search and browse functions, integrated translation, sortable works lists, and much more.

Further information is here.

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RILM abstracts of music literature with full text™

RAFT

Music researchers can now access one of the richest and most comprehensive full-text resources of global music research with the release of RILM abstracts of music literature with full text from EBSCO Information Services. Produced by Répertoire International de Littérature Musicale, Inc. (RILM), RILM abstracts of music literature with full text enhances the unrivaled bibliography of writings on music provided by RILM abstracts of music literature with the addition of approximately one million pages of full-text content from more than 200 key periodicals published from the early 20th century to the present—many of which are unavailable elsewhere online.

The vast and unique global full-text content in RILM abstracts of music literature with full text (RAFT) spans 50 countries in 40 languages, providing broad coverage of music-related disciplines, fields, and subject areas, including musicology, ethnomusicology, theory, performance, and pedagogy. The cover-to-cover full text in RAFT includes articles and reviews, as well as obituaries, editorials, correspondence, advertisements, and news items. This extensive collection, paired with the comprehensive bibliography of writings on music, creates an unrivaled resource.

At launch the RAFT collection includes over 62,000 records. Upon completion, targeted for the end of 2016, the collection will contain over 175,000 records. Thereafter, RAFT will be updated with the full-text content of recent issues. Complete information regarding each journal in the collection and its current coverage status can be found here. RILM abstracts of music literature with full text is available via the EBSCOhost® platform and is updated monthly.

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RILM Music Encyclopedias

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RILM proudly introduces RILM Music Encyclopedias™, a full-text compilation of 41 seminal titles published from 1775 to the present, the majority of which are not available anywhere else online.

RILM Music Encyclopedias comprises nearly 80,000 pages with approximately 165,000 entries. It provides comprehensive encyclopedic coverage of the most important disciplines, fields of research, and subject areas, among them popular music, opera, musical instruments, blues, gospel, world music, recorded sound, and women composers. Its content spans multiple countries, cultures, and languages (including English, German, French, Italian, Dutch, and Greek). It is designed as an extensive global resource that meets the teaching, learning, and research needs of the international music community.

New titles will be added annually, ensuring that RILM Music Encyclopedias is musicology’s reference shelf of the future, comprising every aspect of lexicographical writings on music. RILM Music Encyclopedias is available via EBSCOhost®, which brings its expertise to bear on the design of the online database with a user-friendly and familiar platform. RILM Music Encyclopedias is fully equipped with the most advanced search and browse capabilities, allowing for cross searches in multiple languages. It is the only multilingual cross-searchable collection of music encyclopedias in the world.

For trials, sales, and subscription terms please contact your EBSCO Sales Representative or email information@ebsco.com.

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Announcing RILM’s Zine Initiative!

Joey Ramone Punk Magazine

Working with a top collector and specialist in the field, RILM has created a new document type abbreviated JZ, standing for Journal Zine—zine being the recognized short version of fanzine, which refers to the self-published fan magazines that proliferated in the 1980s, 1990s, and early 2000s (when the Internet made them largely obsolete).

Much like the thriving music-journal culture that developed in 19th-century Europe, these low-circulation publications were produced and consumed by key players in the music cultures they took as their subject; today they serve as primary sources that provide valuable insights into the subcultures that shaped the sound of the late 20th century (in the case of punk rock, it was the New York-based zine Punk that provided the name for the nascent musical movement).

We are in the first stage of entering JZ records that give bibliographic information and detailed summaries of key zines in popular music history. A growing number of universities have begun acquiring collections of these important documents.

Above, Joey Ramone, drawn by John Holstrom for Punk #3 (April 1976; click to enlarge). Below, the Ramones at Max’s Kansas City the same year.

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RILM to publish MGG Online

 

MGG

In 2014 Bärenreiter and J. B. Metzler, the publishers of Die Musik in Geschichte und Gegenwart (MGG), entered a long-term partnership with RILMMGG Online will include the content of the 1994–2008 print edition of MGG as well as future updates, revisions, and additions.

Regular updates will guarantee that MGG remains musicology’s foremost reference work. All entries from this widely consulted and cited encyclopedia will be accessible to users through the new online database beginning in 2017.

Bärenreiter and J. B. Metzler will remain responsible for MGG’s content and will ensure that MGG Online continues to offer up-to-date and authoritative articles. RILM will bring its expertise to bear on the design of the online database and the creation of a user-friendly platform that will be fully equipped with the most advanced search and browse capabilities.

With its broad international experience, RILM will also be responsible for the worldwide marketing of MGG Online. Subscription details for libraries and other users will be issued soon.

More information is here (English) and here (German).

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RILM Retrospective is now online!

RILM I-1

Editor’s note: While this retrospective collection is still available to subscribers, it is no longer offered as a separate product; we have decided to let this post remain online for its historical interest.

EBSCOhost has just launched RILM Retrospective Abstracts of Music Literature.

Reflecting myriad currents of thought—the twilight of Romanticism and the dawn of Modernism, the rise and fall of Marxism, and the advent of multiculturalism, to name just a few—RILM Retrospective offers a fascinating window on intellectual history through the prism of music. This constantly updated database documents an ever-expanding intellectual universe, not a straight line of progressive development. Looking back across the arc of history, we can begin to see how outlooks were formed, and we can assess the roles of the various currents and sidetracks that have shaped the disciplines that we pursue. The unique place of music in human life is salient at every turn.

When Barry S. Brook founded RILM in 1966 he set the cutoff date for coverage at 1967; however, he recognized the importance of similar coverage of earlier materials. He therefore initiated a retrospective series and commenced work on a volume that would cover conference reports published before 1967; this book was finally published by RILM in 2004 thanks to a grant from the Andrew W. Mellon Foundation, and its contents, and updates to it, are part of RILM Restrospective. Another project that Brook envisioned, a volume covering Festschriften, was partially completed with a book published by RILM in 2009 thanks to a grant from the National Endowment for the Humanities; that book’s contents, along with over twice as many additional records, are also part of this database. RILM is now focusing on retrospective coverage of scholarly journals, adding at least 350 records each month.

Conference reports

Papers presented at conferences represent the cutting-edge research of their day, giving a snapshot of that moment in the development of their fields. Further, the changing nature and frequency of conferences over time can be tracked through this database; for example, The only 19th-century conferences devoted solely to music focused on Gregorian chant, and were held under the auspices of the Roman Catholic Church; otherwise, musical topics arose only in conferences devoted to history, folklore, psychology, or questions of public and private property. The first conferences devoted to studies in musicology were held in 1900, in Paris.

Festschriften

Festschriften enact visions of order in both synchronic and diachronic domains. In the synchronic realm, they depict order within, and among, disciplines and institutions. They represent diachronic order in their images of history—also within disciplines and institutions, as well as within the overarching history of music. For example, by 1966 postmodern irony had not yet become fashionable, nor had the new-music world splintered completely. The narrative of contemporary music still related it directly to a salutary evolution from antiquity to the present. Some of the rhetoric of the serialists was downright utopian, and, especially after they had Stravinsky on board, many people assumed that they indeed represented the wave of the future. The academy was also more unified, and while ethnomusicologists were not universally welcomed into music departments, the cutthroat culture wars were yet to be fought.

Journals

Journals, particularly those devoted to specific disciplines or subdisciplines, allow similar tracking of intellectual developments, including the differentiation of particular scholarly streams. For example, before World War II papers on non-Western and traditional Western musics largely came from the field of folklore—a rather woolly domain at that time, whose denizens ranged from wide-eyed dilettantes to rigorous collectors and cataloguers—or from the young sciences of ethnology, anthropology, and psychology. In the 1950s attempts to synthesize the particular challenges and insights involved with all of these studies began to coalesce under the term ethno-musicology (the hyphen was soon abandoned), and beginning around that time several of the scholars involved were using journal articles to try to define their field and its dynamics.

Above, the back and front covers of RILM’s first publication (click to enlarge).

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Musicworks

Thanks to funding from the Canada Council for the Arts, the Ontario Arts Council, the Canada Magazine Fund, the SOCAN Foundation Publications Assistance Program, and the Canada Periodical FundMusicworks has been issuing articles, reviews, and scores focusing on Canadian music since 1978; since 1983, issues have included sound recordings as well. While Canadian composers and performers are most often featured, the magazine also covers Canadian traditional music in both native and non-native cultures.

Recently Musicworks sent us a full run of their back issues; now we are confident that all of their articles are fully covered by RILM.

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Beethoven-Haus

Beethoven-Haus in Bonn is one of RILM’s newest subscribers.

Besides maintaining a museum in the house where the composer was born and keeping up with writings about him and his works, the organization offers an online digital archive where visitors can listen to Beethoven’s music and view manuscripts, correspondence, and images—over 5,000 documents on 26,000 scans and about 7,600 text files and 1,600 audio files.

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Dining with RILM

In 2004 the diversity among the staff at RILM’s International Center inspired the idea of compiling a cookbook, and the following year we quietly published Dining with RILM in a limited edition.

In her preface, Tina Frühauf,the book’s Editor-in-Chief, gives mouth-watering examples of RILM entries involving food—from David Tudor’s spice cabinet to Japanese rice planting ceremonies to the roles of eating and drinking in Verdi’s operas. Many of the recipes are music-related, if sometimes rather fancifully so (e.g., “A Faustian margarita”). Copies of this rare compendium are available from the International Center, though this information is not on our website—it’s a blog exclusive!

The cover photograph, reproduced above, was taken by our former Managing Editor, Murat Eyuboğlu. You are invited to post your own favorite music-related recipes below.

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