Clicking on an illustration takes the user to an enlargement of the image along with a sound file of a brief performance on the instrument and a spectrograph of the sound. Written in the standard HTML markup language, it can operate on all major platforms.
Above, a screenshot of part of the museum; below, a brief demonstration of pre-Columbian Mexican instruments.
Comments Off on Museo universal, sobre sonidos mexicanos
The magrepha of ancient Hebrew ritual has been variously described as a percussion machine, signal gong, bell, tympanum, kettle drum, or hand drum—but also as a pneumatic organ, water organ, steam organ, composite woodwind instrument, pipework, or controllable siren. For centuries, scholars were unable to reach a solution that squared with ancient texts.
In “The magrepha of the Herodian temple: A five-fold hypothesis”, Joseph Yasser settled the matter by showing that the earliest sources mention the magrepha as a shovel for removing ashes and describe the thunderous sound caused when it was thrown to the floor at a particular point in the service; this sound apparently symbolized the vengeful actions of an angry God, aligning the ritual act with passages in Ezekiel. Later sources unmistakably characterize the magrepha as a type of wind instrument with multiple openings, each producing multiple sounds; Yasser’s proposed reconstruction is shown above.
The main entrance to the New York Public Library for the Performing Arts’s exhibition Lou Reed: Caught between the twisted stars opens up on Lincoln Plaza, directly adjacent to the The Metropolitan Opera house. On a sunny day, the Met’s … Continue reading →
Seven strings/Сім струн (dedicated to Uncle Michael)* For thee, O Ukraine, O our mother unfortunate, bound, The first string I touch is for thee. The string will vibrate with a quiet yet deep solemn sound, The song from my heart … Continue reading →
Introduction: Dr. Philip Ewell, Associate Professor of Music at Hunter College and the Graduate Center of the City University of New York, posted a series of daily tweets during Black History Month (February 2021) providing information on some under-researched Black … Continue reading →
For it [the Walkman] permits the possibility…of imposing your soundscape on the surrounding aural environment and thereby domesticating the external world: for a moment, it can all be brought under the STOP/START, FAST FOWARD, PAUSE and REWIND buttons. –Iain Chambers, “The … Continue reading →