Tag Archives: Woody Guthrie

Rousseau and Aunt Rhody


The American traditional song Go tell Aunt Rhody originated as a gavotte composed by Jean-Jacques Rousseau for his opera Le devin du village (1752).

An English version of the opera was produced in London in 1766; subsequently the melody attracted various English texts, including Sweet Melissa (ca. 1788), and inspired a set of variations by the London piano virtuoso Johann Baptist Cramer (Rousseau’s dream, 1812).

Around 1825 the tune—identified as Greenville or Rousseau—began appearing in U.S. hymnals. The Aunt Rhody version has appeared in numerous American traditional song anthologies, and is still often found in children’s song collections.

This according to “Go tell Aunt Rhody she’s Rousseau’s dream” by Murl Sickbert, an essay included in Vistas of American music: Essays and compositions in honor of William K. Kearns (Warren: Harmonie Park, 1999, pp. 125–150).

Today is Rousseau’s 300th birthday! Below, the classic Woody Guthrie recording of his immortal gavotte.

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Woody Guthrie, visual artist

Unbeknownst to most of his admirers, Woodrow Wilson “Woody” Guthrie (1912–67)—who is widely known as the author of some of the best-loved songs of the twentieth century (including This land is your land) and as the inspiration for singer-songwriters including Bob Dylan and Bruce Springsteen—was also an indefatigable visual artist.

No documentation exists of Guthrie ever having formally studied art, but he produced thousands of visual art works: line drawings, paintings, illustrations, cartoons, portraits, sculptures, commercial art, and designs. He was keenly interested in the impressionists and the modernists, and worked with abstract as well as figurative themes.

Guthrie filled countless notebooks and journals with drawings and writings, often mixing the two, and at various times in his life he traded his sign-painting skills for food and traded sketches of bar patrons for drinks. He often used art as a political vehicle, particularly by drawing political cartoons. Like his music, his visual art was inspired by the everyday experiences of everyday people.

Guthrie’s visual art is documented with over 300 plates, almost all in full color—even for many of the line drawings, thereby capturing the ambience of blue-lined notebooks, yellowing journals, and decaying construction paper—in Woody Guthrie: Art works (New York: Rizzoli, 2005). Above, Dream (click to enlarge).

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Filed under Visual art